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2025.07.14

Yagyu Shinkage-ryu

Yagyu Shinkage-ryu

Shiai Seiho(試合勢法)Joudan Hassēhō(上段八勢法)

  • Sōrai-tō Aiuchi 相雷刀合擊

  • Shitsurai-tō Sengeki Jun 疾雷刀先擊順

  • Shitsurai-tō Sengeki Gyaku 疾雷刀先擊逆

  • Sen’yoku-tō Kōgeki Gyaku 蝉翼刀後擊逆

  • Sen’yoku-tō Kōgeki Jun 蝉翼刀後擊順

  • Gōka-sei Rengeki 江河勢連擊

  • Suisha-sei Aiuchi 水車勢合擊

  • Suisha-sei Sengeki 水車勢先擊

Sangaku(三学)

  • Ittou Ryoudan(一刀両段)
  • Zantei Settei(斬釘截鉄)
  • Hankai Hankou(半開半向)
  • Usen Saten(右旋左転)
  • Choutan Ichimi(長短一味)

Kyūka(九箇)

  • Hisshou(必勝)
  • Gyakufuu(逆風)
  • Jūttachi(十太刀)
  • Waboku(和卜)
  • Shoukei(捷径)
  • Kozume(小詰)
  • Oozume(大詰)
  • Yaegaki(八重垣)
  • Murakumo(村雲)

Enpi(燕飛)

  • Sarumawari(猿廻)
  • Tsukikage(月影)
  • Sanyin(山陰)
  • Uranami(浦波)
  • Ukifune(浮舟)
  • Kirikabuto(切甲)
  • Tobou(刀棒)

    Shiai Seiho(試合勢法)

  • Chūdan Jūichisēhō(中段十一勢法)

  • Gedan Hassēhō(下段八勢法)

Tengu-shou(天狗抄)

  • Hanaguruma(花車)
  • Myoushin(明身)
  • Zentai(善待)
  • Tebiki(手引)
  • Ranken(乱剣)
  • Nitou(二刀)
  • Nitou Uchimono(二刀打物)
  • Ninin Kake(二人懸)

Ougi no Tachi(奥義之太刀)

  • Soisetsu Ransetsu(添截乱截)
  • Muniken(無二剣)
  • Katsujinken(活人剣)
  • Koujou(向上)
  • Gokui(極意)
  • Shinmyouken(神妙剣)

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Chang Wenteng is the senior student and last indoor disciple of Luo Dexiu, founder of Yizong Baguazhang. For nearly 15 years, he has engaged in intensive weekly private study under Master Luo, developing a refined understanding of internal mechanics, structural alignment, and movement strategy. Graduating with a degree in Physics from National Chiao Tung University, Wenteng applies a systems-level analytical approach to martial practice—decoding principles through the lens of force dynamics and structural mechanics. This scientific foundation enables him to bridge traditional martial concepts with clear, functional explanations. His martial experience spans disciplines, from Yagyu Shinkage-ryu swordsmanship to MMA competition, demonstrating his ability to adapt and integrate core principles across diverse systems. Wenteng’s teaching transcends stylistic boundaries. He focuses on shared internal principles that hold true regardless of form or lineage, helping practitioners develop proprioception, timing, and multi-joint coordination. His method is grounded in sensory clarity and technical simplicity, guiding students toward profound functional insight and cross-system coherence. Rather than promoting stylized movement or emotional narratives, Wenteng’s work emphasizes applicable, real-world skill—the transmission of embodied knowledge through dedicated practice.

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